Arkansas Sketchbook: Kevin Arnold

It’s interesting to consider the parallel with the viewer’s experience. Because much in the same way that it takes time to parse the elements on the canvas and discern the narrative that carries the work forward, the work’s production required patience and a long gestation to find its way onto the canvas, or, as Kevin Arnold puts it, a long time in the pot

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Tools of the Trade

BEST AS WE CAN FIGURE, there’s a magic to art. Because in the strictest sense, anyone could do it. Anyone can take the classes. Buy the books. Purchase apples and empty bottles to make a still life. But for most of us who’ve ever unceremoniously squashed a set of brushes against the canvas or molded…

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