A Social Medium

WHEN THEY were published by the Historic Arkansas Museum in the early ’90s, the first two volumes of Arkansas Made were something to behold—unprecedented not only for their “survey of decorative, mechanical and fine arts,” but for the glimpse their pages offered of a shared past, the potential to realize a previously unmade connection. Nowadays, though a third volume is nearing publication, the modern era has opened other channels for a new generation to connect with its history—namely on the social media accounts of the Arkansas Made team. Although the format might look a little different, the tone more informal, the images clumps of pixels, the aim behind each post is the same as it’s always been: They all connect us to our shared history.

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From The Editor: The March 2019 Issue

IT’S TOUGH writing something light, something airy, when everything seems to be pushing you toward some heady, lofty diatribe on the nature of reality. Particularly when this month’s feature grapples with subject matter that transcends the digital and physical realms, the shared history that exists somewhere between the two. Particularly when your publication faces its…

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Welcome Mat

Hear This No Tears Suite presented by the Oxford American magazine and the Arkansas Symphony Orchestra A year and a half back, on a warm September evening, a stage was erected in front of the old Magnolia Mobil Service Station, and music came: soul-jarring, sometimes dissonant, sometimes big-bandish, a 60-minute sonic build inspired by Melba…

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